By Walter R. Borneman

Reading the photo captions Carl Blaurock wrote in white ink on black album pages while in his 20s, one hears the same voice that in his 90s chortled about his long-ago exploits. Such antics included standing on his head atop mountains so that, in Carl’s words, “I would have my feet higher on that mountain than anybody else.” Archives are more than stacks of paper or piles of black and white photos. Look closer. Archives convey a sense of time but are also a reflection of individual personality.

Carl Blaurock was born in Denver in 1894, attended Colorado School of Mines, and became a goldsmith like his father. Having climbed Pikes Peak as his first big mountain, Carl became an early member of the Colorado Mountain Club (CMC). A story circulates that Carl was a founding member of the club, but consult the archives. The signature page of the CMC charter from April 1912—a history of Denver society in and of itself—does not include Blaurock’s name among the twenty-five signers. Nonetheless, Carl and his climbing buddy, Bill Ervin, became Colorado Mountain Club mainstays and the first to climb all of Colorado’s fourteeners, the peaks above 14,000 feet, of which 46 were recognized in 1923. 

Carl’s exploits with pioneering woman mountaineer Agnes Vaille, college professor and roped climbing aficionado Albert Ellingwood, attorney and historian Stephen H. Hart and others were difficult for the time and sometimes challenged by mishaps just getting to the trailhead. On a 1924 trek into the Wind Rivers, Blaurock and Ellingwood were slowed by three tire blowouts in the first few miles between Denver and Longmont. Years later, the Wyoming State Geological Survey would find Carl’s photos from the trip a valuable record in studying glacial retreat.

I first met Carl in 1983, when he was an energetic 89 years young. Thanks to the efforts of climber and attorney Barbara J. Euser, Cordillera Press was publishing “his” book, A Climber’s Climber, under Barbara’s steady hand. Carl and I sipped his homemade chokecherry brandy—he was quite proud of it—as we looked through his photo albums. It was like opening a time capsule. Not just decades but three-quarters of a century fell away as I read his impish photo captions and listened to his stories. 

Carl’s admiration for Albert Ellingwood as an early technical climber was rock solid and long-held. So, too, was Carl’s continuing disdain over many decades for Walter Kiener, Agnes Vaille’s “smart aleck” companion on her fatal Longs Peak climb. Agnes had wanted to be the first to climb its east face in winter. The three of them tried several times late in the fall of 1924, but when Agnes and Kiener set off without Carl on a January attempt, Carl warned her, “Don’t go, Agnes.” He called retrieving her body “one of the saddest events in my life.”

The Blaurock Collection in the AAC Library includes the photos from A Climber’s Climber, digital copies of 8mm films from climbs in the 1930s and 1940s, and Carl’s bedroll and tripod. You will also find the articles he wrote for Trail and Timberline. Many of the photographs Carl took—he was a talented and relentless photographer—are scattered throughout fifty years of the publication. Carl’s last major climb and photography quest was up Notch Mountain in 1973 to replicate William Henry Jackson’s famous photo of Mount of the Holy Cross on its 100th anniversary.

Carl’s favorite photo—labeled as such in one of his albums—was one he took of 14,197-foot Crestone Needle in 1920 from the northern slopes of Marble Mountain. The clouds are surreal, and plenty of late spring snow adorns the peaks. It should come as no surprise that a large print of this photograph, a gift from Carl, hangs in my home. I never look at it without hearing his voice.

Walter R. Borneman co-authored A Climbing Guide to Colorado’s Fourteeners in 1978. His other books include Alaska, Iron Horses, The Admirals, and Brothers Down. He has spent a lot of time on mountains and in archives.