Guidebook

Guidebook XIV—Policy Spotlight

Photo by AAC member Kennedy Carey.

EXPLORE—An Act and The Act

By AAC Advocacy Director Byron Harvison
Photos by AAC member Kennedy Carey

Act

1. A thing done; a deed.
2. A written ordinance of Congress, or another legislative body; a statute.
3. A main division of a play, ballet, or opera.

Drama

1. A play for theater, radio, or television.
2. An enticing, emotional, or unexpected series of events or set of circumstances.


EXPLORE, in the waning days of the 118th Congress, met every definition of the words “drama” and “act” as it made its way into becoming law. As I sat at my computer watching Senator Joe Manchin ask for unanimous consent of the bill on the Senate floor, it was not lost on me that years of work, by hundreds of organizations, teetered on the edge of achievement. And it passed in a most glorious fashion. But let me back up just a bit...

Act 1, Scene 1

Not too long ago, in early December of 2024, the AAC policy team traveled to Washington, DC, and met up with the Access Fund and American Mountain Guides Association (AMGA). The mission was clear—examine and pursue all avenues to get the EXPLORE Act passed. At that time, attachment to the National Defense Authorization Act (NDAA) was still on the table, as was the possibility of being bundled in with the Continuing Resolution (CR) to keep the government funded. Additionally, there was the less probable route of the bill going “stand-alone” for a unanimous consent vote on the Senate floor, but we sensed that there wasn’t enough floor time, especially given the need to end the lame-duck session of Congress, and the condition that a unanimous consent vote had to actually be unanimous without a single dissenting vote.

Photo by AAC member Kennedy Carey.

It was an all-hands-on-deck moment for recreation-based organizations—Outdoor Alliance, Outdoor Recreation Roundtable, Surfrider, The Mountaineers, IMBA, Outdoor Industry Association, organizations representing hunting and fishing interests and RV interests, and many, many more orgs, all working simultaneously in an effort to see this historic recreation bill package passed.

Our small team focused a lot of effort on speaking with the bipartisan group of 16 senators that submitted a joint letter to the Secretaries of Agriculture and the Interior expressing the appropriateness of fixed anchors in Wilderness and wanting a report on the status of the agencies’ respective proposed fixed anchor regulations. The Protecting America’s Rock Climbing (PARC) Act, a component of the EXPLORE Act that serves to recognize recreational climbing (including the use, placement, and maintenance of fixed anchors) as an appropriate use within the National Wilderness Preservation System, further emphasized the intent of those senators, and of Congress more broadly, to preserve the historical and well-precedented practice of fixed anchor utilization in Wilderness.

Scene 2

It is no secret that the waning days of the 118th Congress were fairly chaotic. Characterized by the forthcoming change of administrations, few clear “unified” priorities, and the pending departure of several longtime members of Congress, the landscape was hard to navigate. We left DC understanding the potential pathways to passage of EXPLORE, but still not certain which vehicle would get it across the finish line. The following week we saw it miss the cut for the NDAA Manager’s Amendment and concentrated on advocating for its inclusion in the CR. As the days drew closer to a potential government shutdown, we came to understand that the CR was likely going to be relatively tight compared to previous iterations, and would probably not allow for bills such as EXPLORE to ride on it. The CR was out for us. That is when we heard that Senator Joe Manchin (I-WV) was considering introducing EXPLORE as a stand-alone bill.

Photo by AAC member Kennedy Carey.

This was INCREDIBLE news. However, we had some concerns as we knew that the Senate was working off of the House-passed version, which had been passed via unanimous consent (UC) in April of 2024, stewarded by Rep. Bruce Westerman (R-AR). We understood that the Senate wanted the House to address some issues in the bill, but that would require the bill to be sent back to the House for consideration and a vote...which would require time. And there wasn’t any.

On the morning of December 19, we heard that Senator Manchin was planning to introduce the House version of EXPLORE on the Senate floor for a UC vote. For those tuning into the live broadcast, we had no idea what time the possible introduction would occur. It was observable that Senator Manchin was talking to a group of senators and then left the floor. A few hours later Senator Manchin appeared and presented the EXPLORE Act for consideration via a UC vote. During his introduction, he emphasized that the EXPLORE Act was “...something that we all agree on” and that “the House and Senate are in agreement,” and that there were some changes that needed to be made but could be accomplished during the next Congress. Now keep in mind, in order to pass via UC there cannot be a single vote of dissent.

Scene 3

After Senator Manchin teed the bill up for a vote, Senator Ted Cruz (R-TX) stepped up to the podium. He began by reserving his right to object until the end of his speech. This is to say that no one knew whether he would be objecting and opposing the UC of EXPLORE or allowing it to pass. He spoke to his TAKE IT DOWN Act, which is a bill seeking to protect victims of deepfake pornography. The years of work on all the bills associated with EXPLORE hung in the balance—all the work on SOAR, BOLT, VIP, and Recreation Not Red Tape, on the precipice of passage. You can imagine all the breaths that were being held while Senator Cruz spoke.

“I do not object.”

Those words, spoken as a favor to retiring Senator Manchin and Rep. Westerman, provided true theater drama that we are generally accustomed to watching in a much different environment. The historic EXPLORE Act was passed, via unanimous consent through the Senate, and was on its way to the president. On January 4, 2025, President Biden signed the EXPLORE Act into law, and it became Public Law Number 118-234.

Act 1, Scene 3, complete.

Act 2

As EXPLORE was being teed up for a vote in the Senate, the National Park Service quietly announced that it was withdrawing its proposed fixed anchor guidance. This gesture suggests a new window of opportunity for climbing organizations, as well as other interested recreation and search and rescue organizations, to work in collaboration with land agencies to develop sound fixed anchor policies that reflect the direction of Congress and their passing of the PARC Act.

The AAC Policy Team and the Executive Director have visited DC over the last two months, working carefully with our partner organizations in these quickly evolving times to support the implementation of EXPLORE, discuss impacts on our public lands as a result of the federal reductions in force, and address other issues.

Stay tuned on the AAC’s digital platforms to learn more about the status of public lands policies, and how they impact, or may impact, climbers.


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Guidebook XIV—An Interview with Dougald MacDonald

Photo by AAC staff Foster Denney.

How would you describe the scope of the work that goes into making the American Alpine Journal (AAJ)?

Dougald MacDonald: Producing the AA J is a year-round effort that involves literally hundreds of people. The actual “staff” of the AAJ (who are all part-timers and volunteers) includes more than 15 people, and each year we work with roughly 300 individual climbers and photographers to share their stories.

The book goes to press in late April, so the peak of the cycle is in March and April. But the work on the following year’s edition starts immediately, plus we prepare and upload online stories all year round. AND we produce The Cutting Edge podcast and the monthly Line newsletter.

What’s the history of the AAJ? How has it changed over the years?

DM: The AAJ is coming up on its 100th birthday, and unsurprisingly it has changed quite a lot over the years. It started out as much more of a Club publication, telling the stories of AAC members’ adventures. In the 1950s, with the rise of Himalayan climbing, the book started to become much more international. But it was really Ad Carter—who edited the AAJ for 35 years, starting in the 1960s—who created the wide-ranging, international publication it is today. We no longer focus mostly on the activities of AAC members—though we’re very happy to tell those stories when we can—but instead try to document all significant long routes and mountain exploration anywhere in the world, by climbers from every country.

For both the AAJ and Accidents in North American Climbing (ANAC), the most significant changes of the last 10 to 15 years have been 1) the introduction of color photography throughout both books and 2) the launch of the searchable online database of every AAJ and ANAC article ever published.

Dougald questing off in Lumpy Ridge, Rocky Mountain National Park, CO. Land of the Cheyenne people. Photo by AAC member and former AAJ senior editor Kelly Cordes.

What’s an example of a unique challenge the editors have to deal with when making the AAJ?

DM: One challenge is that we come out so long after many of the climbs actually happened. So, readers may have seen something about any given climb several times, in news reports and social media posts and even video productions. But the AAJ has never been in the breaking news business. Instead, we aim to provide perspective and context. Perspective in that we don’t have any vested interest that might slant a story one way or another, and context on the history and geography that helps readers really understand the significance of a climb, how it relates to what’s been done before, and what other opportunities might be out there. Another big challenge is language barriers, since we work with people from all over the world. We’re fortunate to work in English, which so many people around the world use these days. We also use skilled translators for some stories, and online translation tools have improved dramatically in recent years. But there’s still a lot of back-and-forth with authors to ensure we’re getting everything just right.

What’s an example report that was really exciting for you to edit from the last few years?

DM: For me, personally, the coolest stories are the ones that teach me about an area of the world—or a moment in climbing history—that I knew nothing about before starting to work on a story. In the upcoming book, for example, we have stories about winter climbing in Greece (who knew?) and a mountain range in Venezuela that’s gorgeous and has peaks over 16,000 feet. Unfortunately, that range is rapidly losing its snow cover and its small glaciers. AAJ senior editor Lindsay Griffin, who is editing the story, did some cool climbs in the range in 1985, and the difference between his photos and those from today is shocking.

Are there any big differences in process between making the AAJ and ANAC?

DM: The biggest differences are just the scale and scope of the two books: The AAJ is a nearly 400-page book that tries to cover the entire world, and ANAC averages 128 pages and focuses on North America. There’s also a sense of starting from scratch on lots of AAJ reports, since the mountain or area in question may be entirely unfamiliar to the editor handling a story, whereas most of the accident types are all too familiar. Still, there’s always something new to learn in both books, and that makes the work very interesting and rewarding.

What emotions are you wrestling with when you ultimately send off this book to the printer?

DM: One word: relief! But also a lot of pride for what we accomplish.



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By joining Friends of the AAJ and Accidents, you ensure these essential educational tools continue to inform and inspire climbers everywhere.

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Guidebook XIV—Member Spotlight

Photo courtesy of the Grunsfeld Collection.

No Mountain High Enough

The Intersections between Space Travel and High-Altitude Mountaineering

Member Spotlight: Dr. John Grunsfeld, Astronaut
By Hannah Provost

Spacewalking outside the Hubble Space Telescope, John Grunsfeld wasn’t that much closer to the stars than when he was back on the surface of Earth, but it certainly felt that way. The sensation of spacewalking, of constantly being in freefall, but orbiting Earth fast enough that it felt like weightlessness, was more of a thrill than terrifying. Looking out to the vaster universe, seeing the moon in its proximity, the giant body of the sun, stole his breath away. Grunsfeld was experiencing a sense of exploration that very few humans get to. It was deeply moving, a sensation he also got in the high glaciated ranges when he’d look around and be surrounded by crevasses and granite walls of rock and ice. Throughout his life, he couldn’t help but seek out the most inhospitable places on the planet, and even beyond.

You might think that there is nothing similar between climbing and spacewalking. But when you ask John Grunsfeld, former astronaut and NASA Chief Scientist—and an AAC member since 1996—about the similarities, the connections are potent.

The focus required of spacewalking and climbing is very much the same, Grunsfeld says. Just like you can’t perform at your best on the moves of a climb high above the ground without intense focus on the next move and the currents of balance in your body, so, too, suited up in the 300-pound spacesuit, with 4.3 pounds per square inch of oxygen, and 11 layers of protective cloth insulation, you still have to be careful not to bump the space shuttle, station, or telescope as you go about the work of repairing and updating such technology—the job of the mission in the first place. Outside the astronaut’s suit is a vacuum, and Grunsfeld is not shy about the stakes. “Humans survive seconds when vacuum-exposed,” he says. With such high risks, it’s a shame that the AAC rescue benefit doesn’t work in space.

Not only is spacewalking, like climbing, inherently dangerous, it also requires intense focus, and it can be a lot like redpointing. Grunsfeld reflects that “it’s very highly scripted. Every task that you’re going to do is laid out long before we go to space. We practice extensively.” In Grunsfeld’s three missions to the Hubble Space Telescope, his spacewalks were a race against the clock—the battery life and limited oxygen that the suit supplied versus the many highly technical tasks he had to perform to update the Hubble instruments and repair various electronic systems. It’s about flow, focus, and execution—skills and a sequence of moves that he had practiced again and again on Earth before coming to space. Similarly, tether management is critical. Body positioning, and not getting tangled in the tether, is important in order to not break something—say, kick a radiator and cause a leak that destroys Hubble and his fellow astronauts inside. But to Grunsfeld, the risk is worth it. The Hubble Space Telescope is “the world’s most significant scientific instrument and worth billions of dollars. Thousands of people are counting on that work.”

Indeed, perhaps a little more is at stake than a send or a summit.


Grunsfeld climbing at Devil’s Lake, WI. Land of the Myaamia and Peoria people. Photo by AAC member Tom Loeff.

Growing up in Chicago, Grunsfeld’s mind first alighted on the world of science and adventure through the National Geographic magazines he devoured, and a school project that had an outsized effect. Grunsfeld’s peers were assigned to write a brief biography of people like George Washington and Babe Ruth. Rather than these more familiar figures, Grunsfeld was assigned to research the life of Enrico Fermi—a nuclear physicist who was instrumental in the Manhattan Project, the creator of the world’s first artificial nuclear reactor, and a lifelong mountaineer. Suddenly, science and the alpine seemed deeply intertwined.

Grunsfeld started climbing as a teenager, top-roping in Devil’s Lake, back when the cutting edge of gear innovation meant climbing by wrapping the rope around your waist and tying it with a bowline. Attending a NOLS trip to the Wind River Range and further expanding on his rope and survivor skills truly cemented his love of climbing in wild spaces. Throughout the years, climbing was a steady beat in his life, a resource for joy. He would climb in Lumpy Ridge, the Sierra, the White Mountains of New Hampshire, Tahquitz, Peru, Bolivia, and many other places with his wife, Carol, his daughter, and close friends like Tom Loeff, another AAC member.

If climbing was a steady beat, his fascination with space and astrophysics would be a starburst. At first, his application to become a NASA astronaut was denied, but in 1992, Grunsfeld joined the NASA Astronaut Corps. It would shape the rest of his life’s work. Between 1995 and 2009, Grunsfeld completed five space shuttle flights, three of which were to the Hubble Space Telescope—which many consider to be one of the most impactful scientific tools of modernity, because of how its 24/7 explorations of space have informed astronomy. On these missions, Grunsfeld performed eight spacewalks to service and upgrade Hubble’s instruments and infrastructure. Over the course of his career, he has also served as the Associate Administrator for Science at NASA and the Chief Scientist at NASA Headquarters in Washington, DC. His own research is in the field of planetary science and the search for life beyond Earth.

Grunsfeld [left] and team on the summit of Denali (Mt. McKinley), Denali National Park, AK. Photo provided by Grunsfeld Collection.

But in 1999, even with two space missions under his belt, Grunsfeld couldn’t get the pull of high-altitude mountaineering out of his mind. He has an affinity for the adventure of exploring some of the most adverse places humans have ever explored. He was ready for his next great adventure. He wanted to climb Denali (Mt. McKinley).

Many aspects of Grunsfeld’s Denali saga are familiar. Various trips resulted in unsuccessful summit attempts: from a rope team he didn’t fully trust, to eight days at the 17,000-foot high camp with bad weather. On his 2000 attempt, he was followed around by cameras for a PBS special that never came to fruition, and he attempted an experiment about core temperatures in high-altitude terrain using NASA technology. Ultimately the expedition came back empty-handed—without a summit and with a faulty premise for their measurements of core temperature. When he returned in 2004 with a team of NASA colleagues, Grunsfeld was able to stand atop Denali and take in the jagged peaks all around him.


The connections between climbing and space travel aren’t limited to the physical demand, focus, and calm required. Both activities are inherently dangerous, and nobody participating in either of these activities has been left unscathed. Just like how many climbers have had a friend or an acquaintance experience a significant climbing accident, Grunsfeld knew the true danger of space travel. In 2003 while Grunsfeld was still in Houston, one of the most tragic space shuttle disasters in American space history occurred. On reentry into the atmosphere, the space shuttle Columbia experienced a catastrophic failure over East Texas. According to NASA’s website, the catastrophic failure was “due to a breach that occurred during launch when falling foam from the External Tank struck the Reinforced Carbon Carbon panels on the underside of the left wing.” Grunsfeld was the field lead for crew recovery—picking up the pieces of the disaster so as to bring the bodies of the lost crew members home. It’s no wonder that in other parts of his life and in his climbing, he is deeply committed to safety and disseminating as much climbing knowledge as possible about safety concerns.

After the Columbia disaster, Grunsfeld was often asked why he would consider going back to space when the risks were so high. On his final flight to the Hubble Space Telescope in 2009, Grunsfeld reports, there was a 62% probability that he and his team would come back alive. Those aren’t the most inspiring mathematical odds. But as a crew, and for the agency NASA, it was critical to update the technology on the Hubble Space Telescope at that time. He reflects: “It may seem crazy to fly with those odds, but in fact my earlier missions were much more risky, we just didn’t know it at the time.” In comparison, risk assessment in the mountains is considerably more individualized.

Space exploration and mountaineering also have a distinct investment in monitoring the state of our natural landscapes and environment. From space, it’s a lot easier to see how fragile and small Earth is, in the grand scheme of things. It’s also easier to see the changing climate and its impact across the planet. Putting on his scientist hat, Grunsfeld tried to capture the significance of space observations to climate research, saying, “Most of what we know about our changing climate is now from space observations, because we get to see the whole Earth all the time, and you really have to look at sea level not as a local phenomenon, but [look at] how does it change over a whole Earth for a variety of different reasons.”

From sea level rise to vanishing bodies of water, Grunsfeld has seen some dramatic changes to Earth’s surface from the first time he was in space, in 1995, to his last time in 2009. With his decades of exploration in the mountains, he’s also seen glaciers and once permanent snowfields disappear. You can tell from the passion in his voice that Grunsfeld has a keen awareness of what’s at stake as the climate changes—he’s seen it happening already.


In addition to bringing Grunsfeld to incredible places, climbing also brought him into close connection with incredible people. Grunsfeld had originally met the famous photographer, and fellow AAC member, Brad Washburn through AAC annual meetings and at Boston’s Museum of Science, where Washburn was the director for many years. Their friendship would result in two incredibly rare moments for climbing, photography, and space exploration.

Photo provided by the Grunsfeld Collection.

Washburn, the raspy-voiced photographer who was excellent at pulling off the unbelievable, was working on a documentary recreating the famous journey of the explorer Ernest Shackleton when he called up Grunsfeld for a favor. For the film crew to cross the mountainous, cold, and deeply unfriendly landscape of South Georgia just like Shackleton did in 1916 was still an incredibly unlikely feat. Luckily, Grunsfeld had what you might call “pull.”

“I was able to get space shuttle photography from a classified DOD shuttle flight which flew over South Georgia and made these huge prints for Brad,” Grunsfeld says—ultimately giving Washburn and his team the information they needed to safely traverse this rugged terrain.

But that wasn’t the end of Grunsfeld and Washburn’s story. Grunsfeld was attempting Aconcagua in 2007 when Barbara Washburn called to share the news that her husband had passed away. When Grunsfeld landed back in the States and was able to connect with Barbara on the phone, he offered to do something to honor his relationship with Washburn. His 2009 space mission was coming up, and he could take something of Washburn’s along. In the end, Grunsfeld brought Washburn’s camera from the famous Lucania expedition on his last flight to the Hubble Space Telescope. The 80-year-old camera (at the time) was used to take photographs from Hubble, including an image of the Hubble Space Telescope with Earth’s rim in the background, as seen on the back cover of this Guidebook. Washburn’s camera and the prints of the photos that Grunsfeld took remain as some of the AAC Library’s most fascinating holdings in the climbing archives.

But in fact, Grunsfeld’s (and Washburn’s) story isn’t the first to connect the vastly different fields of astrophysics and mountaineering. Lyman Spitzer, a longtime AAC member and supporter of the Club, and a prolific mountaineer, is credited for the idea that led to the Hubble Space Telescope. It almost makes Grunsfeld’s life’s work seem written in the stars.

Surprisingly, Grunsfeld reflects that there is little time for fear in space travel. Take launch, for example. The astronauts in the space shuttle are sitting on “four and half million pounds of explosive fuel,” says Grunsfeld, ticking down the seconds until they are launched into space. The launch mechanics are so powerful that within eight and a half minutes, the shuttle is traveling 17,500 miles per hour, orbiting Earth. Grunsfeld recalls that on his first mission, sitting in the flight deck of space shuttle Endeavor, at 30 seconds to launch, he heard the final instructions over the intercom: Close your visor, turn your oxygen on, and have a good flight. Was this the point he was supposed to get scared? There was no turning back, no getting off, no stopping the ride. So he didn’t let fear in. There was no use for it. And at the same time, there was so much awe that despite the risk, he felt deeply alive. It was a lot like the calm that comes with executing in the face of danger when climbing or in the mountains. In the face of danger, utter clarity.

With the focus and body awareness and rehearsal, the firsthand witnessing of our changing climate and its impacts, the risks involved and the utter sense of awe, space-walking and climbing are not as different as they might at first seem. And for Grunsfeld, one adventure could fuel another. In his downtime floating within Hubble, one of his favorite activities used to be looking back down on Earth, using a camera with a long lens to zoom in on various alpine regions—and scout the next mountain to climb.


Guidebook XIV—Rewind the Climb

David Hauthon on Directissima (5.9), The Trapps, Shawangunks, New York. Land of the Mohican and Munsee Lenape people. Photo by AAC member Francois Lebeau.

Setting the Standard

By the Editors

Before there were 8a.nu leaderboards and Mountain Project ticklists, before there were beta videos and newspaper articles for every cutting-edge ascent, there was a word-of-mouth understanding of who was setting the standard of the day.

Pushing the standard of climbing at the Gunks has proven to be key in the history of climbing in the United States, and any connoisseur of climbing history will know the names of Fritz Wiessner, Hans Kraus, Jim McCarthy, John Stannard, Steve Wunsch, and John Bragg—all AAC members by the way. But what often gets overlooked in the whispers of rowdy Vulgarian parties, naked climbing antics, and strict leader qualifications that swirl around Gunks history are the distinct contributions of women to Gunks climbing. A central figure in this story is the unique character Bonnie Prudden.

First, we must set the scene. Prudden was most active climbing in the Gunks in the late 1940s and early 1950s, when climbing on rock was done in sneakers with a hemp rope. Rather than boldness, a strict no-falls attitude pre-vailed, and good judgment was prized over achieving the next cutting-edge grade. Pitons and aid climbing were status quo, and without a priority on pushing the limits of the sport, the time period was considered non-competitive. While Wiessner, Kraus, Prudden, and others were climbing 5.7s (even occasionally 5.8), most climbers stuck to routes rated 5.2–5.4.

Climbing in the Gunks started with Fritz Wiessner, who went on a developing tear starting in 1935. He and Hans Kraus would be the leading developers of the area until the late 1950s, collectively establishing 56 of the 58 multi-pitch climbs put up in that period. In 30 of those first ascents, Prudden played a role, and she wasn’t just tagging along.

With competition on the back burner, the significance of leading was murky. Some of the climbers at the time proclaimed that there wasn’t a big difference between leading and following. However, the great tension and division that would characterize the Gunks’ history— between the Appalachian Mountain Club climbers (Appies) and the rebel Vulgarians that opposed their rules—came down to the question of regulating leading. The Appies, the dominant climbing force in the Gunks until the Vulgarians and other rabble-rousers splintered the scene in the 1960s, created a lead qualification system, determining who could lead at any given level. Alternatively, some climbers were designated as “unlimited leaders,” who didn’t need approval to lead specific routes.

Although they were painted as control freaks by the Vulgarians, the truth behind why the Appie crowd was so invested in regulating leading (and minimizing the risk inherent in climbing) was because they were keenly aware of the generosity of the Smileys, the landowners who looked the other way as climbers galavanted around on the excellent stone of the Trapps and Sky Top.

Bonnie Prudden was lucky enough to rise above all of the drama. As a close friend and frequent climbing partner of Hans Kraus’s (who was obviously an “unlimited leader,” being one of the first, and much-exalted, developers of the area), Prudden had frequent access to new, difficult climbs. In interviews with researcher Laura Waterman, Prudden relayed that in the early years, while climbing with her then husband, Dick Hirschland, she always led because of their significant weight difference. Later she took the lead simply because of her skill, tutored by Kraus and Wiessner.

Shelma Jun on Harvest Moon (5.11a). Photo by AAC member Chris Vultaggio.

Prudden took her first leader fall on the 5.6 Madame G (Madame Grunnebaum’s Wulst) and recalls catching a fall from Kraus only four times. At the time, 5.7 and 5.8 was the very top of the scale, and Prudden was keeping up—and sometimes showing off.

The story of the first ascent of Bonnie’s Roof, now free climbed at 5.9, is often held up as proof of Prudden’s talent, and rightfully so. But the gaps in the story and the fuzziness of Prudden’s memory of it might reveal more than the accomplishment itself.

On that day in 1952, Prudden thought the intimidating roof “looked like the bottom of a boat jutting out from the cliff,” as she wrote in an article about the climb in Alpinist 14, published in 2005.

Overhanging climbing was still a frontier to explore, but Kraus was a man on the hunt for exposure, rather than difficulty. It just so happened that the massive overlapping tiers of Bonnie’s Roof would provide both.

Prudden wrote about the first ascent: “I don’t remember who took what pitch since by then we were swinging leads. But I do remember quite well reaching the Roof’s nose. This airy feature was the reason for the climb. Getting to it had been one thing; getting over it would be something else.” The very fact that she couldn’t remember the precise order of leads indicates how commonplace this was for her—how comfortable she felt on the sharp end.

Kraus struggled for a long time to find a place for a piton over the roof, and ultimately backed down in a huff, ceding the lead to Prudden. As she started up on the sharp end to see if she could locate the next hold that Kraus could not, she quickly found a hole over the lip that would take gear, a massive positive jug that was hard to see from below. She nailed in the piton without weighting it, pulled over the lip with ease, and ultimately climbed the pitch with only one point of aid. It seems that she “floated it,” as we might say today. Rather than the giddy breathlessness one might imagine upon pulling a strenuous lip encounter and succeeding where Kraus could not, Prudden’s first ascent seemed to get a shrug of the shoulders. This was just the usual business, and her telling of it reveals just how blasé climbing at the top of the standard was for Prudden.

Carmen Magee on Tulip, (5.10a). Photo by AAC member Chris Vultaggio.

Prudden’s involvement in 30 first ascents, including several at the highest difficulty of the day, had her setting the standard of the time. But researcher and historian Laura Waterman has uncovered a weird quirk to Gunks climbing history that should be noted. Women were involved in over half of the FAs during the 1940s, but decreasingly so in later decades. For example, between 1960 and 1970, only 5% of first ascents involved women.

Indeed, many female climbers of the later decades note a cultural sentiment about the frailty of women regarding sports, as an AAC Legacy Series interview with Elaine Matthews, iconic Vulgarian during the 1960s and 1970s, reveals. According to Matthews and others, there was a perception that women and girls “might hurt their reproductive organs” if they ran or did other forms of athletics. Women would not be climbing at the top of the standard in the Gunks again until the late 1970s.

Funnily enough, though she had an outsized effect on early first ascents of multi-pitch Gunks classics, none of these climbs were included in her climbing résumé when Prudden (then going by her married name, Hirschland) applied for AAC membership. Though she was accepted as the 652nd member of the AAC in 1951 on the merit of the mountains she’d climbed, today her legacy is much more tied to first ascents like Bonnie’s Roof, Something Interesting, Oblique Twique, Hans Puss, and Dry Martini.

For the women who came after her, perhaps the shrug at the Bonnie’s Roof belay is more important than the first ascent.


The Gunks: A Climbing Timeline

The Time of the Appalachian Mountain Club or “Appies”

  • 1935
    European Fritz Wiessner discovers the Gunks’ climbing potential and begins opening up new routes in the 5.2–5.5 range.

  • 1940
    Hans Kraus, another European climber, arrives in the Gunks. By 1950, Kraus and Wiessner would be responsible for putting up 56 of the 58 multi-pitch climbs in the Gunks. Twenty-three of the FAs went to Wiessner, 26 to Kraus, and seven to them both.

  • 1941
    AAC members Kraus and Wiessner put up High Exposure (5.6), a Gunks classic.

  • 1945
    The “Appies,” or members of the Appalachian Mountain Club, are regularly climbing at the Gunks on weekends. Due to safety concerns and fears of stepping on the toes of the private landowners, the Smileys, the Appies soon adopt a strict set of regulations, including requiring registration to come on climbing trips, designating rope teams and climbs, and creating restrictions on who is qualified to lead and at what level.

Bootleggers

  • Early 1950s
    The Bootleggers, largely consisting of Kraus’s climbing circle of friends, sidestep the restrictions of the Appies and often climb the hardest routes of the time.

  • 1952
    AAC member Bonnie Prudden leads the intimidating roof of what would become Bonnie’s Roof, with one point of aid, when her climbing partner, Kraus, can’t figure out the roof move (now climbed at 5.8+ or 5.9).

  • 1957
    AAC member Jim McCarthy puts up the hardest rock climb in the Northeast with Yellow Belly (5.8 or 5.9), through a steep roof, ushering in a culture of pushing the standard.

The Vulgarians

  • 1957
    Art Gran splits with the Appies. The Vulgarians are born when he joins and mentors some college party kids who begin resisting the leader regulations upheld by the Appies.

  • Late 1950s
    Rich Goldstone and AAC member Dick Williams establish boulders now graded up to V6 and V7 in the Trapps, though bouldering is mostly considered a training tool at this time.

  • 1960
    Jim McCarthy introduces the first solid 5.9 at the Gunks with his ascent of MF.

  • 1967
    AAC member John Stannard climbs the iconic Foops, ushering in 5.11 using repeated falls and rehearsal tactics.

  • 1970
    The first Vulgarian Digest is published; “blame” goes to Joe Kelsey.

The Clean Climbing Era Begins

  • 1972
    The clean climbing movement, largely spearheaded by John Stannard in the region, overhauls the old ways.

  • 1973
    Standard and AAC members Steve Wunsch and John Bragg usher in 5.12 while trying to free old aid lines. Of particular note are Kansas City (5.12-) and Open Cockpit (5.11+ PG13).

  • 1974
    Wunsch frees Supercrack, probably the hardest climb in North America, possibly even the world, at the time.

  • 1977
    Barbara Devine reestablishes the women’s standard (after an extensive lull), climbing Kansas City and desperate 5.11s like Open Cockpit, To Have or Have Not, and Wasp Stop, among others. In 1983 she does the first female ascent of Supercrack.

The Great Debate on Ethics and Style

  • 1983
    AAC member Lynn Hill makes a splash as one of four Gunks climbers to master Vandals, the Gunks’ first 5.13.

  • 1986
    “The Great Debate” is held at an AAC member meeting, attended by many Gunks legends, fleshing out questions about rap-bolting, hangdogging, and other modern climbing tactics versus the traditional style of ground-up development and ascent.

  • Late 1980s
    AAC member Scott Franklin pushes Gunks standards to 5.14 with his ascent of Planet Claire, sometimes considered the world’s first traditional 5.14, despite the few bolts that protect the crux. Franklin also establishes modern testpieces like Survival of the Fittest (5.13a), which he later solos, and Cybernetic Wall (5.13d).

Resurgence of Bouldering

  • 2006
    The Mohonk Preserve and the American Alpine Club (alongside the New York State Office of Parks, Recreation, and Historic Preservation and the Palisades Interstate Park Commission) partner to create a campground within walking distance from some of the Gunks’ greatest crags.

  • 2023
    William Moss establishes a 5.14d R at the Gunks with his first free ascent of Best Things in Life Are Free (BT).

  • 2024
    Austin Hoyt puts up The Big Bad Wolf, the first V15 in the northeastern United States.

A huge thanks to Laura and Guy Waterman and Michael Wejchert, whose research and book Yankee Rock and Ice is the basis for much of this timeline.


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Guidebook XIV—Grant Spotlight

Photo by Charles Denton.

Ascending the Path

A Story from the Live Your Dream Grant

By Charles Denton
Photos by Charles Denton on land of the Yokuts people

We stared out at the treacherous somber surfaces, weathered by wind and storm. The mountains transformed in our minds, revealing an expanse impossible to comprehend. It is upon this sea of summits we desired to stand.

I was born in flatland central Wisconsin, and often biked with my childhood friend Devin Grdinic up the 1.56-billion-year-old, 1,924-foot prominent hill, Rib Mountain, located in our hometown. From the gouged rim of the hundred-foot quartzite quarry, we grew an affinity for mountains, dreaming of summits.

In our early 20s, ambitious and hell-bent, we drove from Minneapolis to Mt. Elbert in a day. Devin did the planning, and I went along. Knowing the importance of acclimatizing but lacking the time, we spent a night in the Never Summer Mountains. With a pound of venison strapped to my chest to prevent the blood from leaking in my bag, we set forth to high camp and shivered through the cold night. In the morning my appreciation of the mountains solidified as I opened the tent to the majestic view.

Over a cup of coffee at a wayside diner a few years later, Devin proposed another scheme—to tag Mt. Whitney, the tallest in the lower 48. Without hesitation, I said yes.

Photo by Charles Denton.

We descended into the smog of LAX and drove north to the Sierra Nevada. Finding residence in Mammoth Lakes, we improved our acclimatization period by visiting the ancient bristlecones of the White Mountains of California.

Parking late in the afternoon on October 7, 2008, we hit the Mt. Whitney Trail with heavy packs. Unbeknownst to us, our map remained in the back seat. We missed the creek crossing at Lower Boy Scout Lake and went off-trail, bushwhacking into the night. Panicked, we trudged over bush and boulders, reaching an icy ledge where my foot slipped and I hung by loosely fitted gloves. Devin instinctively reached with his hiking pole and hoisted me back up. Clearly, my intrepid aspirations were on a slippery slope.

Miraculously finding Upper Boy Scout camp in the dark, we shivered through the night with inadequate sleeping pads as winds battered our tent. In the warmth of the morning, we set off to climb the wrong mountain. Returning to camp, we planned one final attempt before we’d miss our flights. With little sleep, we set off before dawn, reaching Iceberg Lake as Whitney’s east face prominently glowed orange. At the base of the snow-filled Mountaineer’s Route gully, we realized we were a bit over our heads. With blistered feet and tired shoulders, we descended.

Over the next seven years, Devin and I summited Mt. Temple, Mt. Shasta, Mt. Baker, and Mt. Rainier together. In the years between doing Shasta and Baker, I was introduced to technical rock climbing by my close friend Ross Nueske, a serious square-jawed man who wore a mischievous plotting grin. Ross and I enjoyed climbing multi-pitch trad routes, but after a decade of rock climbing, something still felt unfinished. The memory of Whitney taunted me to return.

I purchased an entry permit for the summer of 2020.

While climbing at the North Shore of Minnesota that June, I received a message from Devin. He had been diagnosed with life-threatening leukemia. Complete devastation washed over everyone close to him. I recall sitting by Lake Superior, staring into the empty blue horizon, trying to process the news as waves lapped sorrowfully over the pebbled shore. Dreams of the future in jeopardy, one small dream being Whitney, the gravely worse one—losing my best friend. Life lingered in a fragile balance as we stayed in contact over Devin’s year-long struggle. Through multiple series of treatments that brought him to the brink of death, he ultimately survived, thanks to a miraculous bone-marrow transplant.

In 2023, I purchased another North Fork of Lone Pine entry pass. The new plan was for Ross and me to climb the East Buttress (1,000', 11 pitches, 5.7) on Mt.Whitney. Devin invited his older brother Marcel Grdinic, a chemistry teacher from Chicago, to join him in attempting the third-class Mountaineer's Route. Two months before the trip, I ruptured my right distal biceps tendon while bouldering. Orthopedic surgery was needed, followed by six months of nonuse: no climbing, no lifting, and the struggle to use my left hand for everything.

The trip still went on, albeit with a hiking-only itinerary. Clouds Rest, a famed trail in Yosemite National Park, gave everyone a magnificent view of the Valley.

During my residency of healing, my aspiration for Whitney magnified, growing more prominent in my mind. I applied for the 2024 American Alpine Club Live Your Dream Grant, seeking to achieve this dream. Awarded the grant one year later, Ross and I flew from St. Paul to Reno and met Devin at Lake Tahoe. I held my breath in anticipation for the next complication, as we attempted to complete this chapter in our lives.

Photo by Charles Denton.

Three days were spent acclimatizing above 6,000 feet. Ross and I climbed at Lover’s Leap, completing: Surrealistic Pillar (270', 3 pitches, 5.7), Corrugation Corner (300', 3 pitches, 5.7), and Bear’s Reach (400', 3 pitches, 5.7).

The following day we bouldered a little in the Middle Bliss area. Marcel flew in from Chicago, and the next morning our assembly of four overloaded a rental car, making the rearview mirror pointless, and drove to Mammoth Lakes.

Early Wednesday, we drove to the Lone Pine ranger station, checked in, and completed our packing list with WAG bags. Nothing stood in our way. A phenomenal three-day weather window was ahead.

Hitting the trail at 11:25 a.m. with abnormally warm temps, Ross and I split the gear. We were equipped with a single rack of Black Diamond 0.2–#3 cams, two sets of nuts, a set of tri-cams, a dozen 90cm alpine draws, six 120cm slings, and a 60m rope.

A few hours uphill and navigating the class 3 Ebersbacher Ledges, we took lunch at Lower Boy Scout Lake. Devin and I laughed, reflecting upon our youthful selves, noting exactly where we went astray many years ago. It felt like I was an echo of my past self. Memories of those moments bounced back off the walls around us.

At 4 p.m., we passed the treeline and headed up slabs toward Upper Boy Scout Lake. A mirrorlike lake sat cupped in a vast bowl of mountains, reflecting the blue skies and gray peaks. Fish prodded the calm surface, wrinkling the perfect image.

Photo by Charles Denton.

We filtered water from the lake, made camp before dark, and relaxed into our tents. Night temps felt irregularly high in the lower 40s. Devin slept under the stars while Ross and I, sharing a tent, kept the doors open, allowing a soft breeze inside.

I woke at 4:30 a.m. with little sleep, partially due to Ross’s crinkling sleeping pad, and attempted to wake Devin and Marcel. They gave us an auditory acknowledgment and would be following an hour behind. With headlamps we navigated the remaining 1,000 feet to Iceberg Lake, forever burned into my mind from the first trip. We walked with the rising sun casting fire-orange across Mt. Whitney’s east face, illuminating our route.

An hour behind schedule, Ross and I scrambled the third-class slog from Iceberg to the base of the route. After roping up, I took the odd pitches, and together we navigated the buttress as the landscape below sank farther away. Massive boulders and the lake below became small reference specks lost in the vast gray landscape.

I started the third pitch, a crystalline slab that wouldn’t take much gear, past a smashed old piton and over a few traversing ridges to a cold shaded belay spot. The next couple of pitches took nearly the entirety of the 60m rope, sparing three to five feet. Climbing the ridgeline and passing the massive Peewee rock formation revealed epic views on both sides as the exposure dropped further away. I saw two specks of color ascending the Mountaineer’s Route gully. With my LYD Grant–funded Rocky Talkies, I radioed to Devin and Marcel to check in. They were a third of the way up.

The thin air above 13,000 feet caused us to slow down, stopping to catch our breath even though the climbing was easy and enjoyable. Devin and Marcel reached the summit by 2 p.m. With a celebratory shout, Devin looked over the edge and waved to us three pitches below. Ross took the last push, trying to link pitches as we simul-climbed the meandering bit, but rope drag became strenuous over the puzzle-like terrain. He built an anchor and brought me to the last 5.8 hand-crack roof move. The last few pitches of the East Buttress can range from fourth class, if you go left, to 5.6–5.10, depending on the chosen direction.

We crested the ridge with fist bumps and smiles. After years of chasing the elusive aspiration, my heart filled with satisfaction, achieving what was started so long ago, with so many U-turns along the way. Standing in that sea of peaks, I attempted to memorize the brief moment I had and everything that led up to it.


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Though Devin and I didn’t stand at 14,505 feet at the same moment, as he and Marcel had already started to descend, we each stood on the summit knowing what it took to be there, and that we accomplished the journey together. For all of us, it was a meaningful experience, and the summit felt more than just a physical place.

In the urgency of approaching night, Ross and I traversed the back side toward the notch and down the tumultuous scree of the Mountaineer’s Route. Two hours later we reached Iceberg Lake, where Devin and Marcel waited. We congratulated each other with a warm embrace and dusty smiles.

Back at camp, in the slow growth of darkness, under headlamps, I lay propped against a rock beside Devin, eating dinner. Slightly nauseous, I continued to sip water, staring at the star-filled sky, taking nibbles of couscous as we chatted. I felt the weight and length of our journey, the immense effort to finally return to this place together. In that moment, content after years of trying and struggle, and indeed with Devin’s survival now resolved, we reflected upon what brought us here, and how cherished it was to share.

In the morning, we broke camp and looked to the future of more dreams and peaks.


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Life: An Objective Hazard

Zach Clanton’s Climbing Grief Fund Story

by Hannah Provost

Photos by AAC member Zach Clanton

Originally published in Guidebook XIII

I.

Zach Clanton was the photographer, so he was the last one to drop into the couloir. Sitting on the cornice as he strapped his board on, his camera tucked away now, his partners far below him and safe out of the avalanche track, he took a moment and looked at the skyline. He soaked in the jagged peaks, the snow and rock, the blue of the sky. And he said hello to his dead friends.

In the thin mountain air, as he was about to revel in the breathlessness of fast turns and the thrill of skating on a knife’s edge of danger, they were close by—the ones he’d lost to avalanches. Dave and Alecs. Liz and Brook. The people he had turned to for girlfriend advice, for sharing climbing and splitboarding joy. The people who had witnessed his successes and failures. Too many to name. Lost to the great allure, yet ever-present danger, of the big mountains.

Zach had always been the more conservative one in his friend group and among his big mountain splitboard partners. Still, year after year, he played the tricky game of pushing his snowboarding to epic places.

Zach is part of a disappearing breed of true dirtbags. Since 2012, he has lived inside for a total of ten months, otherwise based out of his Honda Element and later a truck camper, migrating from Alaska to Mexico as the seasons dictated. When he turned 30, something snapped. Maybe he lost his patience with the weather-waiting in Alaska. Maybe he just got burnt out on snowboarding after spending his entire life dedicated to the craft. Maybe he was fried from the danger of navigating avalanche terrain so often. Regardless, he decided to take a step back from splitboarding and fully dedicate his time to climbing, something that felt more controllable, less volatile. With rock climbing, he believed he would be able to get overhead snow and ice hazards out of his life. He was done playing that game.

Even as Zach disentangled his life and career from risky descents, avalanches still haunted him. Things hit a boiling point in 2021, when Zach lost four friends in one season, two of whom were like brothers. As can be the case with severe trauma, the stress of his grief showed up in his body—manifesting as alopecia barbae. He knew grief counseling could help, but it all felt too removed from his life. Who would understand his dirtbag lifestyle? Who would understand how he was compelled to live out of his car, and disappear into the wilderness whenever possible?

He grappled with his grief for years, unsure how to move forward. When, by chance, he listened to the Enormocast episode featuring Lincoln Stoller, a grief therapist who’s part of the AAC’s Climbing Grief Fund network and an adventurer in his own right—someone who had climbed with Fred Beckey and Galen Rowell, some of Zach’s climbing idols—a door seemed to crack open, a door leading toward resiliency, and letting go. He applied to the Climbing Grief Grant, and in 2024 he was able to start seeing Lincoln for grief counseling. He would start to see all of his close calls, memories, and losses in a new light.

Photo by AAC member Zach Clanton


II.

With his big mountain snowboarding days behind him, Zach turned to developing new routes for creativity and the indescribable pleasure of moving across rock that no one had climbed before. With a blank canvas, he felt like he was significantly mitigating and controlling any danger. There was limited objective hazard on the 1,500-foot limestone wall of La Gloria, a gorgeous pillar west of El Salto, Mexico, where he had created a multi-pitch classic called Rezando with his friend Dave in early 2020. Dave and Zach had become brothers in the process of creating Rezando, having both been snowboarders who were taking the winter off to rock climb. On La Gloria, it felt like the biggest trouble you could get into was fighting off the coatimundi, the dexterous ringtail racoon-like creatures that would steal their gear and snacks.

After free climbing all but two pitches of Rezando in February of 2020, when high winds and frigid temperatures drove them off the mountain, Zach was obsessed with the idea of going back and doing the first free ascent. He had more to give, and he wasn’t going to loosen his vise grip on that mountain. Besides, there was much more potential for future lines.

Dave Henkel on the bivy ledge atop pitch eight during the first ascent of Rezando. PC: Zach Clanton

But Dave decided to stay in Whistler that next winter, and died in an avalanche as Zach was in the process of bolting what would become the route Guerreras. After hearing the news, Zach alternated between being paralyzed by grief and manically bolting the route alone.

In a world where his friends seemed to be dropping like flies around him, at least he could control this.

Until the fire.

It was the end of the season, and his friend Tony had come to La Gloria to give seven-hour belays while Zach finished bolting the pitches of Guerreras ground-up. Just as they touched down after three bivvies and a successful summit, Tony spotted a wildfire roaring in their direction. Zach, his mind untrained on how fast forest fires can move, was inclined to shrug it off as less of an emergency than it really was. Wildfire wasn’t on the list of dangers he’d considered. But the fire was moving fast, ripping toward them, and it was the look on Tony’s face that convinced Zach to run for it.

In retrospect, Zach would likely not have made it off that mountain if it weren’t for Tony. He estimates they had 20 minutes to spare, and would have died of smoke inhalation if they had stayed any longer. When they returned the next winter, thousands of dollars of abandoned gear had disintegrated. The fire had singed Zach’s hopes of redemption—of honoring Dave with this route and busying his mind with a first ascent—to ash. It would only be years later, and through a lot of internal work, that Zach would learn that his vise grip on La Gloria was holding him back. He would open up the first ascent opportunity to others, and start to think of it as a gift only he could give, rather than a loss.

But in the moment, in 2021, this disaster was a crushing defeat among many. With the wildfire, the randomness of death and life started to settle in for Zach. There was only so much he could control. Life itself felt like an objective hazard.


III.

In January 2022, amid getting the burnt trash off the mountain and continuing his free attempts on Guerreras, Zach took a job as part of the film crew for the National Geographic show First Alaskans—a distraction from the depths of his grief. Already obsessed with all things Alaskan, he found that there was something unique and special about documenting Indigenous people in Alaska as they passed on traditional knowledge to the next generation. But on a shoot in Allakaket, a village in the southern Brooks Range, his plan for distraction disintegrated.

In the Athabascan tradition, trapping your first wolverine as a teenager is a rite of passage. Zach and the camera crew followed an Indigenous man and his two sons who had trapped a wolverine and were preparing to kill and process the animal. In all of his time spent splitboarding and climbing in these massive glaciated mountains that he loved so much, Zach had seen his fair share of wolverines— often the only wildlife to be found in these barren, icy landscapes. As he peered through the camera lens, he was reminded of the time he had wound through the Ruth Gorge, following wolverine tracks to avoid crevasses, or that time on a mountain pass, suddenly being charged by a wolverine galloping toward him. His own special relationship with these awkward, big-pawed creatures flooded into his mind. What am I doing here, documenting this? Was it even right to allow such beautiful, free creatures to be hunted in this way? he wondered.

The wolverine was stuck in a trap, clinging to a little tree. Every branch that the wolverine could reach she had gnawed away, and there were bite marks on the limbs of the wolverine where she’d attempted to chew her own arm off. Now, that chaos and desperation were in the past. The wolverine was just sitting, calm as can be, looking into the eyes of the humans around her. It felt like the wolverine was peering into Zach’s soul. He could sense that the wolverine knew she would die soon, that she had come to accept it. It was something about the hollowness of her stare.

He couldn’t help but think that the wolverine was just like all his friends who had died in the mountains, that there had to have been a moment when they realized they were going to be dead—a moment of pure loneliness in which they stared death in the face. It was the loneliest and most devastating way to go, and as the wolverine clung to the tree with its battered, huge, human-like paws, he saw the faces of his friends.

When would be the unmarked day on the calendar for me? He was overwhelmed by the question. What came next was a turning point.

With reverence and ceremony, the father led his sons through skinning the wolverine, and then the process of giving the wolverine back to the wild. They built a pyre, cutting the joints of the animal, and burning it, letting the smoke take the animal’s spirit back to where it came from, where the wolverine would tell the other animals that she had been treated right in her death. This would lead to a moose showing itself next week, the father told his sons, and other future food and resources for the tribe.

As Zach watched the smoke meander into the sky through the camera lens, the cycle of loss and life started to feel like it made a little more sense.


IV.

After a few sessions with Lincoln Stoller in the summer of 2024, funded by the Climbing Grief Fund Grant, Zach Clanton wasn’t just invested in processing and healing his grief—he was invested in the idea of building his own resiliency, of letting go in order to move forward.

On his next big expedition, he found that he had an extra tool in his toolbox that made all the difference.

They had found their objective by combing through information about old Fred Beckey ascents. A bush plane reconnaissance mission into the least mapped areas of southeast Alaska confirmed that this peak, near what they would call Rodeo Glacier, had epic potential. Over the years, with changing temperatures and conditions, what was once gnarly icefalls had turned into a clean granite face taller than El Cap, with a pyramid peak the size of La Gloria on top. A couple of years back, they had received an AAC Cutting Edge Grant to pursue this objective, but a last-minute injury had foiled their plans. This unnamed peak continued to lurk in the back of Zach’s mind, and he was finally ready to put some work in.

As Zach and James started off up this ocean of granite, everything was moving 100 miles per hour. Sleep deprived and totally strung out, they dashed through pitch after pitch, but soon, higher on the mountain, Zach started feeling a crushing weight in his chest, a welling of rage that was taking over his body and making it impossible to climb. He was following James to the next belay, and scaring the shit out of himself, unable to calm his body enough to pull over a lip. This was well within his abilities. What was happening? How come he couldn’t trust his body when he needed it most?

At the belay, Zach broke down. He was suddenly feeling terrified and helpless in this ocean of granite, with the unknown hovering above him. They had stood on the shore, determined to go as far into the unknown sea of rock as they could, while still coming back. When would be the breaking point? Could they trust themselves not to go too far?

Hesitantly at first, Zach spoke his thoughts, but he quickly found that James, who had similar experiences of losing friends in the mountains, understood what he was going through. As they talked through their exhaustion and fear and uncertainty, they recognized in each other the humbling experience of being uprooted by grief, and also the ability to process and keep going. They made the decision to keep climbing until sunset, swapping leads as needed. Zach was inspired, knowing how shattered he had felt, and yet still able to reach deep within to push through. With the resiliency tools he had worked on with Lincoln, this experience didn’t feel so debilitating.

Yet resilience also requires knowing when to say no, when something is too much. After a long, uncomfortable bivy halfway up a 5,000-foot rock climb, the two decided to start the long day of rappels, wary of a closing weather window.

Zach Clanton and his dog, Gustaf Peyote Clanton, at Widebird. “He [Gustaf] is a distinguished gentleman.” Photo by Holly Buehler

Back safely on the glacier, the two climbing partners realized it was their friend Reese’s death day. Taking a whiskey shot, and pouring one out for Reese, they parted ways—James to his tent for a nap, and Zach to roam the glacier.

The experience of oneness he found, roaming that desolate landscape, he compares to a powerful psychedelic experience. It was a snowball of grief, trauma, resilience, meditation, the connection he felt with the friends still here and those gone. It was like standing atop the mountain before he dropped into the spine, and the veil between this world and those who were gone was a little less opaque. He felt a little piece of himself—one that wanted a sense of certainty—loosen a little. The only way he was going to move forward was to let go.

He wasn’t fixed. Death wouldn’t disappear. Those friends were gone, and the rift they left behind would still be there. But he was ready to charge into the mountains again, and find the best they had to offer.



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Guidebook XII—Member Spotlight

Josh Pollock “smedging” his way up Con Cuidado y Comunidad (5.6) at the Narrow Gauge Slabs. Land of the Ute and Cheyenne peoples. AAC Graphic Designer Foster Denney

Con Cuidado Y Communidad

By Sierra McGivney

Driving towards Highway 285, we pass strips of red rock cutting through the foothills of Morrison in Colorado’s Front Range, chasing the promise of new climbs. In the front seat, Josh Pollock describes the Narrow Gauge Slab, a new crag he has been developing in Jefferson County.

Pollock is the type of person who points out the ecology of the world around him. As the car weaves along the mid-elevation Ponderosa Pine forest, Pollock describes how we’ll see cute pin cushion cacti, black-chinned or broad-tailed hummingbirds, and Douglas-fir tussock moth caterpillars.

We pull into a three-level parking lot about seven miles down the Pine Valley Ranch Road. With no cell service and heavy packs, we set off along an old railroad trail toward the crag. Not even ten minutes into our walk, Pollock turns off, and we are greeted by a Jeffco trail crew building switchbacks to the crag.

As we approach the base of the Narrow Gauge Slab, Pollock picks up the dry soil. Fine granular rocks sit in the palm of his hand as he describes how this is the soil’s natural state because of Colorado’s alpine desert climate.

Photo by Anne Ludolph.

Unsurprisingly, Pollock was a high school teacher at the Rocky Mountain School of Expeditionary Learning in a past life; now, he is a freelance tutor and executive function coach. A Golden local and climbing developer, he has been working to develop the Narrow Gauge Slab since 2021.

Pollock first became interested in route development in 2011. He wasn’t climbing much then, instead focusing on raising his second child. Flipping through a climbing magazine one day, an article about route development caught his eye.

Between naps, diaper changes, and bottle-feeding cycles, he would go for quick trail runs in the foothills by his house in Golden. During his runs, Pollock noticed cliffs that weren’t in guidebooks or on Mountain Project. He began imagining how future climbers might experience and enjoy the rock.

“The routes I can produce for the community are moderate and adventurous but accessible,” said Pollock.


Climbing in Clear Creek is a high-volume affair. Jeffco Open Space (JCOS), the land management department for Jefferson Country, started to recognize this during the five years from 2008 to 2013 when climbing in the area exploded. With such a high volume of all kinds of outdoor enthusiasts recreating in Jefferson County, including climbers, adverse impacts on the land followed, including increased erosion and propagation of noxious weeds. Previously, Jeffco Open Space took a more hands-off approach when it came to climbing. However, because their mission is to protect and preserve open space and parkland, they concluded the increased popularity of climbing in the area warranted more active management.

While Jeffco Open Space had a few climbers on staff, they quickly realized they were not qualified to make decisions surrounding fixed hardware and route development. They turned to the local climbing community.

In 2015, Pollock began developing routes at Tiers of Zion, a wooded crag overlooking Clear Creek Canyon in Golden. In 2016, Jeffco Open Space established the Fixed Hardware Review Committee (FHRC) with Pollock as one of its seven advisors—now eight. The FHRC provides expert analysis to Jeffco staff members regarding applications for installing or replacing fixed hardware in the area (including slacklining). As a formal collaborative effort between local climbers, route developers, and Jeffco land managers, it is one of the first of its kind in the country.

Eric Krause, the Visitor Relations Program Manager and Park Ranger with Jeffco Open Space, deals with literal and figurative fires weekly and is responsible for all climbing management guidelines. He sits in on meetings and speaks for Jeffco.

“I think really good communication between a landowner or land manager and the climbing community is imperative,” said Krause.

Since 2015, Jeffco Open Space has invested more than 1.5 million dollars to improve the access and sustainability of existing crags by stabilizing eroding base areas, building durable and designated access trails, supplying stainless steel hardware to replace aging bolts, supplying portable toilet bags to reduce human waste at crags, and rehabilitating unsustainable areas.

If new routes for an existing crag are submitted to the FHRC via their online form, it’s already an impacted area, so it’s more likely to be approved. During their quarterly meeting, each member of the FHRC reviews the submission and discusses whether the new route(s) is a worthwhile addition to climbing in Jefferson County. A route that might be denied is within the 5.7-5.10 range at a crag with limited parking and heavy trail erosion, because routes in that range tend to attract the highest volume of climbers.

“We don’t really want to be adding more sites that are just going to degrade, and we’d rather get in there ahead of time and build it out to where it’s sustainable to begin with,” said Krause.

If a new crag is submitted, this triggers an entirely different internal review process called the “New Crag Evaluation Criteria (NCEC),” overseen by Jeffco Open Space. Every individual on the JCOS internal climb- ing committee (comprised of staff from the Park Ranger, Trails, Natural Resources, Planning, Park Services, and Visitor Relations teams) independently rates the new crag based on various categories: potential access trails, environmental considerations, parking, traffic, community input, organizational capacity, visitor experience, and sanitation management. They then average all of the scores for the submitted crag, and its viability is discussed.

To combat the ever-growing need for accessible places for new climbers, families, guided parties, and folks looking for high-quality moderate climbing, Jeffco asked the FHRC and others if they could find a beginner-friendly new crag in the southern part of the county, where there are fewer climbing areas.

According to Krause, Pollock took this request to heart and started looking all over the county for a new crag. He struggled to find a place with adequate parking, access to bathrooms, and the ability to build new trails on stable ground. “Threading that needle is hard, and it took several years and maybe half a dozen possible locations to find one that worked,” said Pollock.

An open space staffer suggested he look at the area that is now the Narrow Gauge Slab.

When Pollock first walked along the base of what would become a major project in his life, the Narrow Gauge Slab, he felt compelled by the rock’s position, composure, and aesthetic. He began imagining routes to climb. The crack features broke the wall up into clean-looking panels.

For Pollock, unlocking the potential of a crag is an unanswered question until the last moment.

“There’s a great drama to it,” said Pollock.

He proposed the crag in 2021. The Narrow Gauge Slab would become the first crag approved under the NCEC framework.

“I think what I’m most excited about is that this whole endeavor has been collaborative and cooperative with Jeffco Open Space from the get-go,” said Pollock.


Jeffco is constantly playing catch up with erosion damage in an arid climate like the Front Range. At the Narrow Gauge Slab, Jeffco had the opportunity to identify and implement adequate infrastructure for the area before route development began.

“In some ways [it is a] first of its kind experiment, with building a sustainable access trail and stabilizing belay pads on the base area and things like that before lots of user traffic shows up,” said Pollock. The Boulder Climbing Community, the AAC Denver Chapter, and Jeffco collaborated to stabilize and build out the area before the crag opened to the public.

According to Pollock, the crag does not have a theme. Since this crag has many developers, and sometimes multiple developers to any given climb, the route names have personal meaning to the developers or the circumstances of the route. But when you look closely, a kaleidoscope of meaning comes into view: collaboration.

His primary objective with the Narrow Gauge Slab was to develop a moderate and accessible crag, but the project evolved into something much more: mentoring climbers on route development. He reached out to different LCOs, such as Cruxing in Color, Brown Girls Climb Colorado, Escala, Latino Outdoors, and the AAC Denver Chapter, inviting members to participate in a mentorship program based on route development. In total, there are 16 mentees and five mentors, plus Pollock. Despite uncovering the crag, Pollock has barely put any hardware in.

Route development is a niche aspect of climbing that requires extensive resources and knowledge. Pollock wanted to invite new groups of climbers who might not consider themselves route developers but were interested in learning. He is pleased that the mentees have learned from this project and are developing new routes near the Front Range. Some mentees have been swallowed whole by the development bug. Lily Toyokura Hill is so enthused that she was recently appointed to the nearby Staunton Fixed Hardware Review Committee.

Photo by Anne Ludolph.

Hill and Ali Arfeen collaborated on Bonsai, a 5.7 climb featuring a tiny tree sticking out of the rock. Hill, who is shorter, and Arfeen, who is taller, would take Pollock’s kid’s sidewalk chalk and mark key holds they could reach, helping to determine where they would place bolts when they were developing the route’s first pitch.

To the left is Con Cuidado y Comunidad (With Care and Community), a three-pitch 5.6 put up by (P1) Sharon Yun and AAC employee Xavier Bravo, and (P2+3) Maureen Fitzpatrick and Cara Hubbell.

While Pollock racks up to lead Con Cuidado y Comunidad, Douglas-fir caterpillars inter- rupt our conversation. Pollock stops, pointing out the fuzzy horned creature on his bag. He describes how their population erupts every seven to ten years. His father was a biology teacher, and both of his children are fascinated by ecology.

On top of Con Cuidado y Comunidad, we picnic overlooking the epic landscape of the South Platte. Pollock explains how climbing at the Narrow Gauge Slab requires what he calls “smedging,” a mix of smearing and edging.

Climbs are littered with minuscule footholds and often require both smearing and edging to climb. Pollock prefers this type of movement: slow and thoughtful.

The last bolt for the Narrow Gauge Slab was drilled on August 19, just in time for opening day on the 24th. Pollock feels immense pride in the crag.

“It is really satisfying to share the crag with folks and give to the community,” said Pollock.

On these south-facing slabs, there are thirteen routes ranging from 5.4 to 5.9+, spread across the crag’s granite rock. You can listen to the babble of the South Platte River as you climb, breathing in the smell of fresh pine needles as you stand up on a tiny food hold. Don’t forget to look out for the Douglas-fir caterpillars inching their way across the rock as you clip the bolts.


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Guidebook XII—Grant Spotlight

The Emperor Face of Mt. Robson in water color and ink. AAC member Craig Muderlak

Mountain Sense

By Sierra McGivney

Usually, when Balin Miller encounters spindrift ice climbing, he puts his head down, waits for 10 to 20 seconds, and continues climbing. Halfway up the face of the Andromeda Strain, a line on the northeast face of Mount Andromeda in Alberta, Canada, Miller and his climbing partner Adrien Costa encountered an intense spindrift funnel. Thirty seconds passed, then one minute, two. After five minutes, he thought, f*** this, and downclimbed.

Miller was persistent, but the spindrift was relentless. They wasted a couple of hours trying to go around.

“You couldn’t see anything, even if you wanted to push through,” said Miller.

Miller and Costa peered around to where the climbing turned into a chimney. A wall of white snow poured down it. They turned back a pitch before the Hockey Stick Crack, disappointed that they wouldn’t be able to live the lore embedded in that pitch. This wouldn’t be the last time they tested their judgment in the mountains and turned away from an objective.

“I think what gets me most stoked for routes isn’t really how good they are, per se, but a lot of the history involved in it—the route that has some old trip report of people getting really scared on it,” said Miller.

This might be why Miller chose the Andromeda Strain as one of his objectives for this 2023 Mountaineering Fellowship Fund Grant (MFFG) trip. Apart from being one of the most popular yet serious alpine climbs in the Canadian Rockies, it has an epic story. An unsuccessful earlier group tried to ascend the off-width and found it too wide to take anything but one-foot lengths of hewn-off hockey sticks (an eerie, early rendition of the Trango Big Bro). Having no hockey sticks handy in 1983, Barry Blanchard, Dave Cheesmond, and Tim Friesen traversed beneath the off-width and around the corner to a steep snow-choked chimney that became the Hockey Stick Crack.

Miller originally applied for the MFFG from the American Alpine Club to support an expedition to the Alaska Range. He was awarded the grant but had to change his trip to the Canadian Rockies due to financial constraints. This grant funds climbers 25 years or younger seeking challenging climbs in remote places. One of Miller’s partners, Adrien Costa, has previously leveraged other AAC grants, including the Tincup Partner in Adventure Grant in 2021 and the Catalyst Grant in 2021 and 2023. The AAC grants can be a great jumping-off point for climbers looking to dream big.

Miller is an ice climber who spends his summers in Alaska and his winters in Bozeman. He got into climbing at the age of 12 and was versed in both ice and rock climbing growing up in Alaska. He is stalwart when it comes to ice climbing, but he has a goofy aura. You can deduce from photos of his trip that he doesn’t take himself too seriously, even on big alpine climbs.

After getting turned around on the Andromeda Strain, Miller and Costa climbed Dreambed (5.11 PG-13) on Mount Yamnuska and enjoyed a sunny day on rock. The two saw a weather window coming up and turned their gaze to Mount Robson or Yuh-hai- haskun (“The Mountain of the Spiral Road”), the highest peak in Canada. Infinite Patience (2200m, VI 5.9 WI5 M5) climbs the north side of the Emperor Face of Mount Robson until it merges with the Emperor Ridge (2500m, V 5.6). This was another big objective for Miller. Despite a solid weather window and the season being in their favor, new challenges awaited the group.

Aidan Whitelaw, six feet, four inches tall with a high-pitched voice, is one of Miller’s best friends. Despite being a student at Montana State University in Bozeman, he’s almost always down to skip class if it means going climbing.

With Whitelaw newly arrived, they set off on their adventure with only one rope, trying to go as light as possible. One rope between three climbers is OK if they don’t need to bail, but just in case, the team brought a Beal Escaper.

Miller wrote in his trip report: “Leaving the parking lot on October 5, Aidan Whitelaw, Adrien, and I hiked into Berg Lake, camping at the base of the face. [We] started up the face at 2 a.m. on the 6th. We soon realized that the direct start was out of condition. It’s usually [three pitches of WI 4 or 5] but turned out to be steep, wet melting snice. We opted to traverse right to gain Bubba’s Couloir. Unfortunately, there was no alpine ice left in the couloir. But the snow climbing was moderate but unprotectable. We eventually decided to bail after the House Traverse, which is roughly halfway up the Emperor Face to the ridge on Infinite Patience.”

Deciding to bail had become extremely obvious to the group. They encountered compact limestone with no cracks and nothing to sling. The group was fine leaving cams or pins but couldn’t find good placements to make anchors. They decided to deadman their ice tools, burying them to create a snow anchor to rappel off.

“It was the worst rock imaginable,” said Miller.

Eventually, they reached a bivy spot and got cozy, fitting three people into a two-person tent and Whitelaw and Miller into one sleeping bag. At noon the next day, they started their descent, which consisted of rappelling off V-threads and lousy rock anchors.

Balin Miller, Adrien Costa, and Aiden Whitelaw at the bivy spot on Infinite Patience getting cozy in a two-person tent. Land of the Mountain Metis, Stoney, Cree and Secwepemc peoples. AAC member Balin Miller

The Beal Escaper is a detachable rappelling device that allows you to descend on a single strand without permanently fixing the rappel and sacrificing the rope. To retrieve the rope, the climber tugs the rope ten to twenty times, causing the rope to inch through the Escaper and retrieve the rope.

The group was on 80-degree melting snow. No one had counted how many times they had pulled the rope to disengage the Escaper, but something was wrong. Everyone got quiet. They pulled as much rope through as they could, but ultimately, the rope refused to release. Unable to jug back up the rope out of fear that movement could release the device, and unable to solo back up because of 80 feet of steep bad snow and friable rock, they pulled out as much rope as they could and cut it. Only eight meters of rope were in their hands, the rest of it lost to the mountain. It was dark, and they didn’t know how far they were above the Mist Glacier.

They tied slings together as a pull cord, allowing them to do increments of full eight-meter rappels. Luckily, they were only 100 feet from the bottom.

Twenty-four hours later, Whitelaw was in class in Bozeman, Montana; no one was aware of the epic in the mountains he had just returned from.

Balin Miller questing off to lead a mixed pitch on Infinite Patience (VI5.9M5WI5).Land of the Mountain Metis, Stoney, Cree, and Secwepemc peoples. AAC member Adrian Costa

After several days off, Miller and Costa hiked into the Lloyd McKay Hut to attempt the north face of Alberta. However, they didn’t get the chance due to a storm and nine inches of wet snow. Miller wasn’t too bummed. Conditions weren’t in their favor, and there was always next year. Both Miller and Costa left after that, and Miller headed to Yosemite.

In November, Miller returned ready to ice climb. He climbed Suffer Machine (200m, WI5+ M7); Virtual Reality (100m, WI6+); Kittyhawk (150m, WI5), solo; and Nemesis (150m, WI6), solo.

He took a short break to visit his mom in Spokane, Washington. Ethan Berkeland flew out to meet him, and the pair drove about 430 miles back up to Canada with Slipstream in sight. Slipstream (900m, IV WI4+) climbs the east face of Snow Dome. It is infamous for it’s exposure to dangerous seracs, avalanches, and cornices, as evidenced by five reports in the Accidents in North American Climbing archive. Jim Elzinga and John Lauchlan first climbed it in 1979, and Mark Twight simul-soloed it in 1988 with Randy Rackliff.

“Anything Mark Twight does is awesome,” said Miller.

The previous fall, Miller had bailed after the approach when it had taken longer than expected, and “it just didn’t feel right.” Both Miller and Berkeland are solid ice climbers. They brought a full rope, a tagline, 14 screws, and a handful of draws, planning to solo the easier parts and pitch out the harder ones. They ended up simul-soloing the entire east face of Snow Dome on November 29 in four hours. In total, the day was thirteen hours from car to car.

After getting turned around on his previous alpine objectives, this was a great achievement for Miller.

Despite the epics on some of his original objectives, Miller found success. Each “failure” in the mountains is a lesson learned for the next climb, maybe even a cutting-edge ascent. The spindrift turned him around on Andromeda Strain, and Infinite Patience was out of condition, but Slipstream proved to be an amazing climb. Sometimes, infinite patience pays off in the mountains.


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Guidebook XII—AAC Advocacy

Photos by Torch Pictures.

Teaming Up in DC

By The Editors

As the AAC’s General Counsel and Advocacy Director, Byron Harvison, put it, advocacy work is like “being in charge of building and maintaining an aircraft while it’s already flying in the air—and there are still no guarantees. This work requires constant attention to detail and management of hundreds of relationships.” To your average climber who cares about public lands and advocating for climbing landscapes, the constant awareness of legislative processes and advocacy relationships can be exhausting— the runout pitch where you’d rather cede the lead. But for the AAC advocacy team and our partners like Outdoor Alliance, it’s the money pitch—our opportunity to ensure the perspec- tives of our members and other recreationists inform the policies that shape America’s public lands and recreational spaces.

That’s why this September, the AAC advocacy team, including AAC President Nina Williams, AAC Executive Director Ben Gabriel, AAC Deputy Director Ashlee Milanich, and AAC General Counsel and Advocacy Director Byron Harvison, showed up in DC–to pay attention to the details. One of those key details is our partnership with Outdoor Alliance (OA), a coalition of outdoor recreation nonprofit organizations that work together towards our shared goals of conservation and protecting public lands. On just this one trip to DC, the AAC team joined up with our OA coalition members, holding more than 80 meetings over two days with members of Congress and the Administration to advocate for protecting public lands, improving outdoor recreation, and funding the outdoors. Plus, we hung out with Tommy Caldwell to swap stories and inform legislators about the power of climbing in these incredible landscapes.

The trip was a celebration of Outdoor Alliance’s 10th anniversary, and the many wins that a collaboration between outdoor recreationists can accomplish. Since Outdoor Alliance started ten years ago, the coalition has collectively helped protect 40 million acres of public land and water, secured $5.1 billion in funding for the outdoors, and been instrumental in empowering outdoor enthu- siasts to become outdoor advocates. New to the Outdoor Alliance is the Grasstops Collective. It is a leadership and advocacy development program that trains grasstops advocates to build relationships with policymakers and advocate for conservation priorities. Grasstops leaders are unique for their meaningful voice in their communities, whether they are in business, nonprofit, or local government. This trip featured the OA’s first cohort from the Grasstops Collective joining legisla- tive and agency meetings.

“The collaborative energy of all the Outdoor Alliance organizations representing different sectors of the outdoor community was amaz- ing! There is a definite impact on legislators and their staff members when we all come to the table together. I’m a climber sitting next to a surfer and a paddler and a biker, and we all have different but equally compelling stories to share on why this legislation (the EXPLORE Act) should pass,” reflected Harvison.

One of OA and the AAC’s biggest policy priorities for the end of the year is the EXPLORE Act. The recreation community has been working for years on proposals to strengthen, protect, and expand outdoor recreation opportunities on our public lands and waters. As participation in outdoor recreation grows, it becomes even more important that public land management agencies like the Forest Service, Park Service, and Bureau of Land Management have sound policies and resources in place that will support sustainable and equitable outdoor recreation access. The EXPLORE Act is a first-of-its-kind package of recreation policy. It includes provisions that would safeguard rock climbing, identify and create long-distance bike trails, improve recreational permitting for outfitters and guides, and make permanent the Outdoor Recreation Legacy Partnership, which provides grants for green space in urban areas. Notably, the much talked about PARC Act, heavily supported by the Access Fund, is bundled into the EXPLORE Act, with the intention to protect the responsible use of bolts in Wilderness areas.

“The Outdoor Alliance 10th anniversary cele- bration in Washington DC reinforced the collective energy and determination needed to advance legislation like the EXPLORE Act. It highlights how partnerships are essential to advocating in service of our members,” said Ben Gabriel when reflecting on the power of the week-long trip.

Congress has a lot on its plate, including determining a federal budget, wading through the complexity of major wars throughout the world, and much more. With all that to work through, it’s no wonder that the EXPLORE Act has continued to be deferred as a main concern. However, there is overwhelming bipartisan support in the House and the Senate for the EXPLORE Act, and several complex paths for it to potentially pass. It’s all in the details, which is where outdoor advocates and policy leaders can step in.

We were joined by champions from American Whitewater, Access Fund, American Canoe Association, IMBA, The Mountaineers, Surfrider, Winter Wildlands Alliance, and leaders from the OA Grasstops Collective, as well as by partners at REI and Patagonia.


Support This Work— Join or Give Today

Your contribution will significantly impact climbers—whether they are learning how to avoid accidents through our updated database, using research funding to analyze melting ice caps and the changing heights of iconic mountains, or pursuing first ascents around the world. Your gift makes these things possible.

Guidebook XII—Rewind the Climb

Photo by AAC Staff Foster Denney.

The Naked Edge

By Hannah Provost

If you had to tell the story of the evolution of climbing within the history of one route, your most compelling choices might be The Nose of El Capitan or The Naked Edge in Eldorado Canyon. In this way, The Naked Edge is a time capsule containing within its memory: the much dreamed-of first ascent finally climbed by Layton Kor, Bob Culp, and Rick Horn; a period defining free ascent by Jim Erickson and Duncan Furgeson in the early 1970s; and one of the few battle- grounds for speed records in the United States. In 1962, Kor and Bob Culp were diverted attempting to aid the steep final edge, and today, climbers have speed climbed the route, bridge to bridge, in a little over 22 minutes. What is it about this climb that has allowed it to be the sketchbook for climbing legends to draw out the evolution of our sport? Anecdotes and artifacts from the American Alpine Club Library and archives provided the answer.

Perhaps it was all aesthetics—the compelling imagery of a climb that could divide dark- ness and light. Or maybe it was the fact that The Edge tends to rebuff many of its suitors. But whether The Naked Edge was dishing out a good humbling, or whether, as Jim Erickson famously argued, his free ascent style “humbled the climb” instead, The Naked Edge might live so prominently in our collective climbing memory because it encapsulates one of the great questions of each climbing endeavor. Who holds the power here? The climb or the climber?

At first, the route held all the cards. Layton Kor, known for his hulking height and wild, almost demonic, drive, could usually weaponize his determination and fearlessness to get through any hard climbing he might envision for himself. Yet when Layton Kor and Bob Culp attempted to aid the route in 1962, having each been turned away in 1961 on separate occasions, they still had to deviate from the original vision and finished the climb via a dihedral slightly to the left of the stunning final overhang. It wasn’t until Kor came back with Rick Horn in 1964 that The Edge, as we climb it today, was first done in its entirety.

Jim Erickson, a young gun with a knowing grin, hadn’t always been a hotshot. However, by the early 1970s, he had gotten into the habit of proving a point—freeing the old obscure aid lines in Eldo put up by Robbins, Kor, Dalke, and Ament the decade before. After several failed attempts to free The Naked Edge, repeatedly retreating from the first pitch finger crack due to a strict avoidance of hangdog- ging and rehearsing, freeing The Naked Edge was his foremost ambition.

By 1971, The Naked Edge had been ascended 30 or so times using direct aid. Erickson was envisioning a new phase of the route’s life. Yet his first moderately successful attempt, with prolific free climber Steve Wunsch, was yet another humbling. As he wrote for Climb!: The History of Rock Climbing in Colorado, the fourth pitch was daunting to the point of existential: “Steve dubs it impossible. I give it a disheartened try, but it is late so down we come, pondering the ultimate metaphysical questions: ‘Is there life after birth? Sex after death?’”

When Erickson and Duncan Ferguson returned a week later, things went a little more smoothly. Though The Naked Edge was the last major climb that the two would ascend using pitons, it wasn’t the use of pitons that haunted Erickson and sent him off on his staunch commitment to only onsight free -climbing. Rather, when Erickson reflects on the effort and technique of pitoncraft, and the incredible added effort of free climbing on pitons, he seems almost to be creating something, tinkering. Describing nailing the crux of the first thin pitch in an interview for the Legacy Series, a project of the AAC to preserve the history of climbing, Erickson painted a picture of immense toil: “You’re in this strenuous fingertip layback, with shoes that didn’t smear very well...You had to first of all figure out which piton you were going to place, you had to set it in the crack, you were doing all of this with one hand while you were hanging on. Then you had to tap the piton once to make sure you didn’t lose it... because if you missed it and dropped it you’re back to square one, so you had to tap the pin, finally hit it in, test it to see if it was good, then you’d clip a single free carabiner, and a second free carabiner into it, and then you would clip your rope in, all while you were hanging on with one hand in a bad finger lock.”

In the 1960s and 1970s, once a route was freed, it was not to be aided again. The rock had been sufficiently humbled, and all climbers seeking to prove their worth on that rock must level up their skills to prove themselves worthy.

Lynn Hill and Beth Bennett set out to capture an ascent of The Edge with filmmaker Bob Carmichael in 1981, who may have let the reputation of the climb leak into the produc- tion notes, asking the climbers to fall repeatedly on the first pitch and editing in a training mon- tage. Though the film claims to document the struggle of the first all-female ascent, Bennett reports: “the film with Lynn was a fictionalized account.” Bennett had already clinched the FFFA in 1977, and reports doing the first all-fe- male ascent with Louise Shepherd and Jean Dempsey (née Ruwitch) a year later. Similarly, Hill had become the first woman to climb 7c (5.12d) two years before, and was clearly stronger than the film suggests. Their humbling was played up for the sake of drama, and Hill wishes she could have properly attempted an onsight. In the case of this ascent, the humbling reputation of the climb dominated the narra- tive, obscuring the power the climbers’ held in that fight.

These days, news about The Naked Edge revolves around the potentially most hubristic

part of modern rock climbing: soloing and speed ascents. Speed ascents of this iconic route began in the early 1990s with Micheal Gilbert and Rob Slater. As the record dwin- dled, a friendly rivalry emerged between two teams consisting of Stefan Griebel and Jason Wells, and Brad Gobright and Scott Bennett. Before Gobright and Wells died in respective climbing accidents in Mexico and California, this friendly rivalry had pushed the record to 24 minutes and 29 seconds. New kids Ben Wilbur and John Ebers arrived on the scene in 2020 and, with just a few practice runs, cut down the record to 24 minutes and 14 sec- onds. In 2022, Griebel put on his racing shoes again and paired up with local Joe Kennedy, climbing The Naked Edge in 22 minutes and 44 seconds, bridge to bridge.

Griebel has climbed the route over 350 times. Sometimes pitched out and casual, some- times as reconnaissance missions, sometimes as three laps in three hours as he and Joe got closer to going for the Fastest Known Time. For these speed climbers, the route has become a “third place,” even more so than the climbing gym. Besides work and home, it has become the other, alternative place where one is social, makes connections, and refines one’s identity. Kennedy writes: “You could argue it’s a waste of time to climb it over and over, but doing so has led to some of the most meaningful friendships and climbing experiences I’ve had in my life. It has turned the route into a meeting place, a fitness test, a playground, and something so much more significant than just a rock climb.”

But even these modern masters of this stone can be humbled by the climb in their own way. Kennedy reflects: “I was totally humbled by the route when I first climbed it. It was much more difficult than I expected–thin, techy, pumpy, and slick. And when I don’t climb it for a while, I never fail to get more pumped than I thought, no matter how dialed my beta is.” Griebel is adamant the rock always does the humbling: “Sometimes it feels like the easiest one-pitch 5.9 warm-up in the canyon, and other days I mess up a crux sequence in the smallest way and suddenly get pumped and scared! The rock always does the humbling, not the other way around. I’ve seen 5.13 sport climbers fall out of the Bombay Chimney onto that 50-year-old pin!”

Reflecting today, Jim Erickson says his famous quote is often misunderstood. Indeed, he believes the style in which he and Furguson freed The Edge wasn’t the ethics he truly believed in—despite yo-yoing being an accepted practice at the time, he only ever truly felt satisfied by onsight climbing. But he also insists that he and his partners were hum- bled by the climb, too. In contrast to Griebel, Kennedy, and others, Erickson has never gotten back on The Naked Edge after his his- tory-making ascent. It was such a special experience that he worried that climbing it again would destroy the myth of it. Still, he can remember nearly every piece of beta, each pound of the hammer required to secure each piton.

Climbing it only once, Erickson is still torn by the question of humility. Climbing it hundreds of times, Griebel has yet to come any closer to finding the answer. So, who is doing the humbling? Perhaps, the fact that the answer is so elusive is why the pursuit of the question remains so satisfying.

Climbing Grief Fund Spotlight: Gratitude

PC: Jessica Glassberg/Louder Than 11

Grief, Beauty, and Loss in the Mountains

by Hannah Provost

“When Meg climbs on the Diamond these days, she can’t seem to shake a glimpse of red in her periphery–the color of Tom’s red Patagonia R1 as he climbed with her. When she turns to catch a better look, he’s not there. Tom: her dear friend, who fed a bumblebee on a belay ledge to bring it back to life; who encouraged Meg to lead harder and harder pitches on gear; who introduced her to her husband; who she trusted more than anyone on rock. She wants to turn and see Tom’s red R1 climbing up the pitch behind her. But Tom won’t ever climb the Diamond again.

Meg Yingling is an American Mountain Guides Association (AMGA) rock guide, a lover of the high places, deeply embedded in our community—and intimately aware of the grief that haunts our sport. When she lost her friend, Tom Wright, to a climbing accident in the summer of 2020, her relationship to climbing radically changed—it mellowed and thickened and burst all at once. But thanks to the Climbing Grief Fund Grant (CGF), she was able to get the resources she needed to start processing her grief, her new relationship to climbing, and actively sit with the messiness of it all…”


Read more about Meg’s experiences with both grief and beauty in the mountains:

Climb United Feature: Finding Impact in a World of Performance

Salt Lake Area Queer Climbers (SLAQC) showing some pride at Black Rocks, St. George, UT. Land of the Pueblos and Paiute people. AAC member Bobbie Lee

A Deep Look Into the Affiliate Support Network

By Shara Zaia

Drawing on personal experience in co-creating Cruxing in Color, and the experience of affinity group leaders across the country, Shara Zaia reflects on the unpaid labor that goes into creating affinity spaces within climbing—and yet just how much it means to so many traditionally marginalized climbers to find community. Zaia uncovers the true cost and benefit of this work, and lays out why the AAC has developed the Affiliate Support Network (ASN)—our Climb United program that provides fiduciary and other administrative support to affinity groups across the country so that they can raise donations and/or become nonprofits, ultimately making their organizations more sustainable and long-lasting. Dive in to get a behind-the-scenes look at the incredible power of this work, and how the Climb United team has been determined to find impact.

Artist Spotlight: Marty Schnure & The Art of Maps

By Sierra McGivney

Photo courtesy of Marty Schnure.

In this profile of cartographer Marty Schnure, we uncover the philosophy that has influenced her creation of several beautiful maps for the American Alpine Journal (AAJ), the world-renowned AAC publication that reports the cutting-edge ascents and descents of each year. For Schnure, map-making is about blending geographical information while also evoking and displaying the relationship between that geography and whatever is important about that place to the map user—aka climbing routes, or the animal corridors of that area. Dive into this article to learn about the art of map-making, and how Schure thinks about the responsibility of a cartographer, the power of maps to express an idea, and more.

Rewind the Climb: The North Face of North Twin

Photos Courtesy of the George Lowe Collection

First Ascent by George Lowe and Chris Jones

By Grey Satterfield

Fifty years ago, George Lowe and Chris Jones plunged deep into the Canadian Rockies in search of an adventure. They had read in the 1966 American Alpine Journal of a “mountain wall which acts like a strong drug on the mind.” This wall was the north face of Twin Tower (more often referred to as the north face of North Twin), and Lowe and Jones’ adventure turned into one of the proudest ascents in the history of alpinism…

To this day, their route has yet to see a full second ascent. The north face was finally climbed again by a different route 11 years later. In 50 years, only five teams have started at the bottom of the north face and made the summit. Every climber returned with a story more harrowing than the next.

Dive in as Grey Satterfield revisits this historic ascent, and uncovers truths that helps us reflect on modern climbing:

Grant Spotlight: The Cornerstone Grant

PC: Grey Satterfield

In this article, writer Holly You Tung Chen captures the energy and effort that goes into sustainably developing a new bouldering area. Thanks to the AAC’s Cornerstone Grant, the Carolinas Climber’s Coalition was able to build trails and develop a parking lot for the McKinney Gap and Weaver Knob boulders. Dive in to hear about the process of discovering the boulders, sending and first ascents, and marshaling resources to responsibly open access to climbers everywhere.

Pull Focus: Behind the Scenes with Sophi Rutherford

Sophi Rutherford in action during the making of Dear Mother. PC: Cody Kaemmerlan.

Sophi Rutherford is the recipient of the first ever Pull Focus Grant, a grant that provides historically underserved outdoor filmmakers the opportunity to intern with a premier photo/video production studio, Louder Than Eleven, and advance their careers in this notoriously competitive space. Through this paid internship, she served as the assistant director on the upcoming film Dear Mother, a transracial adoption story, following the climber Cody Kaemmerlan as he grapples with his identity and ultimately travels to Korea to meet his birth parents. In this profile on Sophi, Holly Yu Tung Chen uncovers Sophi’s artistic philosophy, the importance of telling transracial adoption stories, and the pull to hide behind a camera. Dive in to get a glimpse at the process behind making Dear Mother, and get to know Sophi Rutherford as an emerging filmmaker.


In Dear Mother, climber and transracial Asian-American, Cody Kaemmerlen, searches for connection with his birth parents after a near-death fall leaves him shaken and grasping for answers.


Learn More

The Pull Focus Grant

Emerging Filmmaker: Sophi Rutherford

Film Subject: Cody Kaemmerlan

Writer: Holly Yu Tung Chen

Louder Than Eleven

Climb United

The Pull Focus Grant Was Made Possible By: